As we continue our conversation on the advantages of music education for children, I want to make sure you understand that music schools and private teachers do not have it in their agendas to make a great musician out of every student!
Have you ever talked to people who have completed only half of their music education? If not, then I recommend you do. Certainly, they had some difficulties in training, because studying is hard work! But I bet you’ll hear them say that they regret quitting. Later in life, people understand that the kind of push they received in their emotional and intellectual development was due to musical training in their childhood.
I talked to many adults who had taken music lessons as children. Some told me amazing stories about how the music helped them improve their memory (and not only musical). Others noticed that their spoken language became richer, and their voice more expressive. I’ve also met people who use their once-musically trained hands and fingers to do dainty, nimble work in skillful projects. For example, among these are many who work as secretaries or at jobs that are closely connected with a computer.
Children who study music can better and more expressively recite poems than other children. Many “musical” children grow up to be fine actors.
Also, very few people know that the most successful among those who are multilingual used to play musical instruments in childhood! And, the longer their training was as a child, the better their grip on foreign language speaking and comprehension as an adult! Ninety-five percent of polyglots used to or still play musical instruments.
Also, it is obvious that playing music makes the hands – and especially the fingers – of painters or artists quite skillful and capable. Having listed the advantages of music education, I’d like to add that former “musical” children, even if they did not become professional musicians, having grown up, regard their work with more responsibility and professionalism. They are pleasant to talk with because they love people. Due to their specially developed ear for music, “musical” people understand their relatives and children better. The majority of them are happily married, and they choose jobs that have to do with communicating and working with people. There are many teachers, doctors, personnel managers, lawyers, bank clerks, counselors, as well as translators, journalists, etc., among them.
Now, dear parents, hopefully I have dispelled all your doubts about choosing music lessons for your child and answered the question as to “Why I want my child to get music education.”
Yet having made such a serious and responsible decision, I am sure that many of you still have some doubts and questions. And those of you whose children have already begun training will come across certain issues and require assistance and guidance in resolving them from time to time.
Drawing from my own experience, I have noticed that while preparing children for music lessons, parents do not always use the recommended literature, which, unfortunately, is really hard to come by. Sometimes such books are written in “dry” and complex language not intended for easy reading and understanding.
Music lovers and enthusiasts have all the rights to learn their chosen musical instrument despite of their impairment, as long as such will not completely forbid them to play such. Various tips and instructional guides are available on the internet and some libraries that will give music teachers the resources to be effective in handling special learners.
Let us say in the case of Andrea Boccelli, a great tenor and musician who was diagnosed with glaucoma and lost his sight at an early age of fourteen; if not for his music teacher, we might not hear his tranquil and heart warming voice. More so, he reached success in music because he had such self-motivation and certain love for music. And these had made it all possible.
Generally speaking, special learners are regarded as those students, who either have cognitive, physical, mental or social abilities and disabilities. These groups of special individuals are faced with different learning challenges. However, through the professional assistance of music teachers and enthusiasts as well as effective and efficient music teachers’ resources, they are able to comprehend, adopt and adjust to such learning situations. Also, acquisition of skills and knowledge has been possible through these resources for music teachers.
Great examples of music teachers’ resources are those from the Internet such as tips and inputs from various music teacher sites, personal experiences of the music lovers and experts themselves, other extensive techniques and methods of music teachers, and some findings from different music researches. When music teachers are in need of such reliable and effective resources, they may adopt any of those mentioned sources and make each a part of their music teaching strategies.
Music teachers’ resources truly come in variation. You may actually choose from different available resources nowadays. However, you have to bear in mind that it takes a lot of analysis and discernment to find out which among those resources would be appropriate and effective for each special learner. Remember that as a music teacher, your role does not end in mere teaching music but most of all, in making them discover their talents and feel that they are treated as typical and average students.
Though it may be quite difficult to deal with special learners, music teachers will then feel and realize that teaching them can be very rewarding. Your time, efforts and hard works will soon pay off especially if you have seen your learners succeed and unleash their music talents and inclinations.
Furthermore, when these special learners tend to appreciate their music teachers, have made them their real mentors, and have considered them as their source of motivation and inspiration, these music educators can proudly say that being one has been a blessing, thus gives them such feelings of fulfillment and self-worth.
Good music teaching resources and studio policies are indeed necessary as they intend to create a conducive and healthy learning environment. Music teachers must set good and strict business principles and classroom practices so as to eliminate confusion, inconsistency and misunderstanding among studio clients, students, parents as well as the entire teaching personnel.
Certainly, as you decide to put up your own music studio, your studio policies and resources must also be ready for posting and dissemination. Therefore, you have to devise, update and implement them consistently and reliably.
Studio Policy: Basics, Advantages and Benefits
A studio policy is a set of written rules and regulations that has to be strictly observed and implemented. Private music studio owners as well as music teachers must specify and define all points and items in the studio policy itself so as to have everything clearly explained and discussed. Studio policy also lessens the risks and circumstances where a problem or a conflict may likely arise.
Though some studio policies differ in concept and context, they must include citations on various areas like fees, payment schemes, work and class schedules, class requirements, lesson preparations, service arrangements and other relevant issues necessary in managing your own music studio.
Music Teaching Resources
As studio policy is made as specific as music teaching resources are, tips on how to make and construct such are certainly essential. Setting a good studio policy is as good as generating music teaching resources. Since these two have to be both up-to-date, concise, concrete and complete, music teachers must keep in mind that rigid research really plays a vital role in coming up with effective and efficient resources and policies in music teaching. Such research can be done in just few clicks – using the power of technology and innovation.
Using informational documents and tools, citing insights and experiences, writing studio policy, motivating social and classroom participation as well as giving tips and advices are all great teaching techniques in driving your way to academic success through music education.
These professional and business means: music teaching resources and studio policies are both important in meeting the goal of the institution. Therefore, you have to be sure that they are truly focused and relevant in teaching and learning music.
Stick to Your Music Teaching Resources and Studio Policies
Music teachers have to be consistent and prompt both in their teaching and managerial strategies. This is to establish reliability and credibility not just for their profession but also for their relationship among students and studio clients. As they stick to their rules, policies, resources and techniques, people around them would be used to those concepts and would be able to apply such in daily activities and endeavors.
Remember that your policies and resources in music education are as important and as beneficial as your motivation and willingness to disseminate and employ to the learners and the clients as well as to implement in their future dealings and ventures.
When I ask parents, “Why do your children need music education?” I often get a generalized answer like, “My child studies for himself.” Drawing from my own life experience, I can tell you this with absolute confidence: the more clearly and more precisely we know what we want, the quicker and easier we get it.
To understand the advantage of musical education, let’s talk about the music lessons in more detail, beginning with the most simple and popular art – the art of singing.
The voice is given to a person from the moment he is born as the means of a congenital, unconditional, protective reflex. Later, the person learns to use the sounds produced to develop a speaking and then a singing voice. By singing songs or humming tunes, children have an opportunity to accumulate musical impressions and acoustical experience, develop an ear for music, and learn to use the natural musical instrument, the voice. The skilful use of a singing voice is one of the main advantages for the development of child’s musical abilities. Even simply singing for your own pleasure can bring a lot of positive moments into your life. Also, singing activates the functioning in the left (logic) and right (figurative) hemispheres of a brain. As a result, the working capacity of the child increases. Singing also promotes attention and improves the mood.
How can singing positively influence children’s health? Singing actively develops and strengthens the respiratory system, which is especially important at the early age. It also naturally trains the muscles of the throat and vocal chords. Because the respiratory system is closely connected with the cardiovascular system, the child, being engaged in respiratory gymnastics during singing, thereby strengthens his health. Singing also promotes the development of musical abilities such as hearing, memory, sense of rhythm, and time/tempo.
Many of you have probably heard that singing can cure such speech impediments such as stuttering. I can confirm this fact with confidence – by using my own techniques, I helped one of my daughters eliminate this problem within two years. The fact is that while singing, words are sounded lingeringly, which helps the child pronounce separate sounds and syllables more precisely. In other words, singing is the cure to many language and speech difficulties, such as stuttering! Well-chosen drills combined with a child’s desire to get rid of an unpleasant impediment are the keystone to success.
In addition, proper speech characterizes correct thinking. Thus, after eliminating a stutter, your child’s susceptibility to general studying and learning at public school will improve due to the resultant emotional liberation.
Children who sing regularly are also very focused. They easily learn foreign languages, they are more diligent in comparison to other children, and they are able to study and absorb any training much easier.
Singing in vocal ensemble or choir is also beneficial. This way, children get to develop additional qualities as musicians. For example, harmonic hearing is a skill in which a person hears and distinguishes a number of tones that sound simultaneously, as well as the sense of ensemble. (Ensemble, from the French, means “together.”) By becoming part of a choir or vocal ensemble, the child starts to understand and feel his own importance and power. Besides, who would scoff at the ability to have a beautiful and well-trained voice? Let’s admit it: it would be very pleasant to talk with such a person – and hopefully, hear him sing,
(To be continued)
Parents Play the Most Central, Yet Vulnerable Roles in Childrenâs Music Education
The three basic parties who take part in childrenâs music education are the child, the teacher (or teachers) and the parents.
To best understand how the young musician will regard music lessons, we must ask: âHow should parents plan for the musical education of their children and what they know about it?â
As a rule, there are two main things to consider: the choice and cost of the instrument, auxiliary materials and lessons; and the search for a good teacher. After that, the preparation for the childâs musical training is largely complete. However, buying the instrument and paying for lessons are not the most complex part of music education, although many parents think so and believe that the rest is up to the teacher and the child, who is obliged to frequent music lessons on a regular basis and do the homework. In fact, to parents, it all seems very easy! âDid you do your homework today? Have you practiced that piece enough? Have you learned the fingers in an etude? Come on, play the piece you had to memorize!â
Hereâs the simple truth: The reasons behind oneâs success in music education as well as the loss of interest creep in absolutely imperceptibly, and often during quite a long period of time.
First, then, letâs discuss what happens when a child loses interest.
Again, parents are the most integral and important parts of the equation when it comes to their childrenâs success or loss of interest in musical education. When a child gets bored with his or her lessons, the parents, who by that point are exhausted by battles with the child to practice and often feel financially pinched from the costs of the instrument and the lessons, must then face the difficult decision of whether to terminate the lessons.
While preparing the materials for my book, Voices of our Children, I talked to parents and teachers and asked them what they considered to be the prime reason behind the childâs loss of interest. Can you guess who a whopping 80 percent considered to be at fault? The child! It was he/she who did not want to continue the education!
Whatâs more important is that after terminating the lessons, very few parents asked themselves why their child lost interest. Letâs look the perspective of each participant in this scenario:
The child. He is happy! His âtorturesâ have finally ended. He no longer has to hear unpleasant things about his careless attitude toward music lessons. No one will ever force him to learn music against his will! Now he is free from tiresome lessons and can spend time doing things he likes!
The teacher. Not every teacher, especially not those who often lose students, will search for the real reasons behind a childâs loss of interest in music lessons. It is easier for some teachers to accuse or blame the student than to admit to their own mistakes.
In this case, what does the teacher do? He quickly forgets about former students and places an ad to get new ones â he has to earn a living. Itâs just a job. Â
Parents. Believe it or not, but I think that when the child quits musical training, the parents suffer the most â not only because they have invested in this venture materially, but because along with the termination of music education they must part with their own dreams, hopes, and an opportunity to discover and develop their childâs true talent that might not have been obvious.
Now, when the child quits music lessons, he can quickly redirect his attention to new interests. The teacher, who has lost the student, can compensate for his loss by finding a replacement. But the parents do suffer the most â they cannot âmove onâ â they cannot replace own child with another!
Therefore, to avoid this problem before it hits home, I strongly believe parents should prepare for their childrenâs music education ahead of time. They should know beforehand what awaits them in the future, and should be ready for possible hardships.
www.quintecco.com
Tatiana Bandurina is an inventor, a professional writer and a member of Canadian Authors Association. For more than twenty years she worked in several children’s musical academies and schools as a teacher and a principal. Tatiana is now a chief of Quintecco Educational Products, Inc., the website is www.quintecco.com, a company that develops and markets new media education products to the consumer and business education markets.
