Music and arts education are valuable components of academic instruction. And they become even more valuable when they are used towards the resolution of crisis situations that affect and traumatized children around the globe. Creative expression has both educational and psychological significance for children that have suffered natural disasters, wars, and violent acts, serving as a way through which people of diverse cultures can interact and unite in their shared humanity.
Teachers use art and music to cultivate communication, social abilities and cognitive emotions to increase cooperation, self-confidence and self-esteem. Through the creation of singing, moving, and listening stimulus to music, a broad range of emotional, cognitive and physical abilities of children are brought out and help them to learn new skills.
Creative therapy can be expressed in a variety of forms including music and movement therapy, writing techniques and play therapies. Aiming to provide children with a means of expression that can help them express their emotions about their individual experiences while using their imagination and the creativity of the therapist, creative therapy offers a sense of accomplishment.
Music and movement therapies have a therapeutic effect on children. By addressing physical, psychological, cognitive and/or social functioning, music and movement act as a powerful medium that provides support and encouragement to each traumatized child in the effort to acquire new skills and abilities. Movement therapies transform feelings into movement that helps children release their stress and express their emotions. On the other hand, music, because of its ability to touch each person in a different way and often in many different ways, creates the grounds for new learning opportunities and most importantly, for leading a normal life.
Writing techniques have been researched widely regarding their physical and emotional benefits. They can be used as a means for stress relief because children can write down anything they think about or focus on unresolved feelings that have been created as a result of a traumatic experience.
Play therapies use the imagination of children as a means to communicate with them.
Psychologists suggest that children who experience a major traumatic event before the age of 11 are three times more likely to develop psychological symptoms that those children who experience their first traumatic event as teenagers or even at a later age. However, children’s ability to deal with their trauma is highly subject to the reaction of their parents or their care-takers, but also to the method used to overcome the trauma.
Unfortunately, there are numerous examples of children that have suffered traumatic events around the world over the past five years. A typical example of how arts are implemented to help them overcome their feelings of distress and anxiety is a study on the young victims of Hurricane Katrina. Children were gathered under large white tents to feel protected and taken care of and were asked by art therapists to draw their houses. What art therapists saw in almost all their drawings was that the place of safety in the drawing was not the house, but the roof. Besides, the children’s drawings included dead birds, snakes, alligators, helicopters and rescue boats, depicting quite accurate the magnitude of the disaster and their feelings of despair.
Focusing on the long-lasting effects of Hurricane Katrina on those children that included anxiety, learning difficulties or even suicidal impulses, psychologists concluded that only art could improve the children’s psychological and mental condition. Several months later, the art therapists returned to New Orleans to check on the children and their families. Children were asked to draw and express their feelings again. This time, most children drew scary water lines, which made the art therapists conclude that the trauma had not end with the Hurricane Katrina. Children were still afraid of water.
Similar examples are derived from the children of the West Bank and the Gaza Strip, Sierra Leone, Afghanistan, Iran, and many other areas on the planet. The children’s participation in arts and music strengthens their identity and creates strong bonds within their communities. Using music and performing arts helps refugee children to integrate with the local community, while teachers address the need for social connection. In doing so, children are effectively assimilated into the education system, building relationships and gaining trust, while enhancing their self-esteem, confidence, and language skills.
The use of music and arts to the healing of traumatized children is not an easy task. It requires high competence in the knowledge and skills of teachers who need to be prepared to meet the diverse needs of each child. Besides, to educate children with arts and music and help them overcome their traumas, teachers need to have professional responsibilities and the ability to communicate knowledge and skills.
After having suffered extreme situations of crisis and having experienced severe traumas, children need a positive impact on their life. This motivation can only be driven through teamwork, appreciation for other cultures and community awareness. Interactive performance programs as well as strategic partnerships with arts-based and community-based organizations can offer those children education, personal development and community involvement. And all these attributes can be found in the creativity and self-expression provided in arts and music education.
Parents Play the Most Central, Yet Vulnerable Roles in Childrenâs Music Education
The three basic parties who take part in childrenâs music education are the child, the teacher (or teachers) and the parents.
To best understand how the young musician will regard music lessons, we must ask: âHow should parents plan for the musical education of their children and what they know about it?â
As a rule, there are two main things to consider: the choice and cost of the instrument, auxiliary materials and lessons; and the search for a good teacher. After that, the preparation for the childâs musical training is largely complete. However, buying the instrument and paying for lessons are not the most complex part of music education, although many parents think so and believe that the rest is up to the teacher and the child, who is obliged to frequent music lessons on a regular basis and do the homework. In fact, to parents, it all seems very easy! âDid you do your homework today? Have you practiced that piece enough? Have you learned the fingers in an etude? Come on, play the piece you had to memorize!â
Hereâs the simple truth: The reasons behind oneâs success in music education as well as the loss of interest creep in absolutely imperceptibly, and often during quite a long period of time.
First, then, letâs discuss what happens when a child loses interest.
Again, parents are the most integral and important parts of the equation when it comes to their childrenâs success or loss of interest in musical education. When a child gets bored with his or her lessons, the parents, who by that point are exhausted by battles with the child to practice and often feel financially pinched from the costs of the instrument and the lessons, must then face the difficult decision of whether to terminate the lessons.
While preparing the materials for my book, Voices of our Children, I talked to parents and teachers and asked them what they considered to be the prime reason behind the childâs loss of interest. Can you guess who a whopping 80 percent considered to be at fault? The child! It was he/she who did not want to continue the education!
Whatâs more important is that after terminating the lessons, very few parents asked themselves why their child lost interest. Letâs look the perspective of each participant in this scenario:
The child. He is happy! His âtorturesâ have finally ended. He no longer has to hear unpleasant things about his careless attitude toward music lessons. No one will ever force him to learn music against his will! Now he is free from tiresome lessons and can spend time doing things he likes!
The teacher. Not every teacher, especially not those who often lose students, will search for the real reasons behind a childâs loss of interest in music lessons. It is easier for some teachers to accuse or blame the student than to admit to their own mistakes.
In this case, what does the teacher do? He quickly forgets about former students and places an ad to get new ones â he has to earn a living. Itâs just a job. Â
Parents. Believe it or not, but I think that when the child quits musical training, the parents suffer the most â not only because they have invested in this venture materially, but because along with the termination of music education they must part with their own dreams, hopes, and an opportunity to discover and develop their childâs true talent that might not have been obvious.
Now, when the child quits music lessons, he can quickly redirect his attention to new interests. The teacher, who has lost the student, can compensate for his loss by finding a replacement. But the parents do suffer the most â they cannot âmove onâ â they cannot replace own child with another!
Therefore, to avoid this problem before it hits home, I strongly believe parents should prepare for their childrenâs music education ahead of time. They should know beforehand what awaits them in the future, and should be ready for possible hardships.
www.quintecco.com
Tatiana Bandurina is an inventor, a professional writer and a member of Canadian Authors Association. For more than twenty years she worked in several children’s musical academies and schools as a teacher and a principal. Tatiana is now a chief of Quintecco Educational Products, Inc., the website is www.quintecco.com, a company that develops and markets new media education products to the consumer and business education markets.
Many people who put their heart into music, put their business into music teaching. There are many fields of music education and if you are proficient in one or more you will surely find work. The first thing that a music teacher has to do is choose what he or she will focus on, be it an instrument, voice coaching, music theory or even music history. Next comes the time to assess your own knowledge on the topic. If you have a degree of Bachelor of Music, Bachelor of Music Education or Master of Music, you are probably comfortable enough teaching at any level. However if your learning did no go that far, you should be teaching at a more basic level. In any case, be sure you are qualified and are honest about your qualifications with your clients.
Consider also who you want to teach. Maybe you would love to help young children take their first steps in music. Or maybe you want to work with older kids or adults on continuing or just starting their education. Be sure you adapt your teachings and, if you need to, talk to pedagogues so you know how to deal with a child. The planning of the classes can be tricky and do not think for a second that only adults can spot if you did not prepare the lesson. A kid will notice and can get bored and even give up if they feel you are not making an effort.
Scheduling can also be difficult. Whatever you do, do not book more than one student for a time slot and try not to extend the lesson pass its designated time. It just screams that you are unprofessional. Remember during which hours kids are in school and are not available. Moreover, keep in mind that a 6 year-old attention span is not the same as a 16 year-old’s so the time which lesson takes depends very much on the student. It also depends on you personally and on your teaching method.
On that topic, there are a lot of different music teaching methods out there. One of the most popular is the Suzuki Method, but others include the Dalcroze Method and the Yamaha Method. Even if you choose not to follow any of these, it is very interesting to learn a bit about each. It will open your eyes and you will see your work under a whole new prism. In the end, you probably will take some directions from these methods, even if subconsciously.
These are the basics you should take into account when setting up as a private music teacher. Others are simple, practical choices like the place you want to teach, the prices you will charge and how to keep your financial books. However, most of it comes from practice and time. You are a music teacher, so you know that everything does.
Music education classes can enrich the life of an adult or child in many ways. Children who learn a musical instrument or sing usually perform better on test scores at school.
Here are a few reasons why music education is beneficial to both adults and children
1) Build self-confidence while having fun.
For those who have music education classes in school, learning an instrument and playing in a band can be lots of fun. Children as young as eight or nine can be taught how to play a variety of instruments. Bands usually have concerts on a regular basis where the children can play for their parents and others in the school. Adults with music background can form their own bands and perform in public places. Performing to a public audience is a great way to build self-confidence for both adults and children alike.
2) Team work and friendship
Learning about the value of notes, time signatures, and exits and entrances will help them to be a member of a team. Each member of a band or ensemble must work together to produce a well-coordinated piece of music. Besides teamwork, they can make friends very easily. This is especially beneficial for children and other adults who want to be more sociable. Together, they can explore many different types of music and learn to play different musical instruments.
3) Better analytical skill
A good music education can help improve the analytical skills of adults and children. For children and students, music plays a significant role in improving their math and thinking skills in many cases. For most people, they use only the left side of the brain to analyze and solve problems. However, a music education can help develop the right side of the brain. The effect is that children or adult are able to solve problems in a shorter time and using better solution.
4) Stress Reduction
Music has widely been regarded as an effective mean to reduce stress. In fact, this is one of the reasons that make music education so popular. Many people actually feel calmer and cheerful when playing music, including children. However, heavy metal or rock music tends to have a reverse effect on many people and it is generally not suitable as a mean for stress reduction.
5) Turn music into a career
For those who have an immense love of music, they can turn it into a full time career. There are many types of jobs that are related to music. They include music teachers, professional singers or bands, conductors and many others.
Today, more and more parents are also encouraging their young children to take up music lessons. If there is no music education program offered at school, they will send their children for private lessons. This can be beneficial but in a different way. Instead of being part of a band, music students will have to learn to rely on themselves when playing their instruments. Many children tend to take piano lessons or guitar lessons because these are instruments that can be played alone or with a group. In fact, these instruments are also very popular with adults. Regardless of the instruments, a good music education will leave a positive effect on both children and adults for many years to come.
Stephen Chua is the webmaster of EducationForLifeNow.com, a popular website that provides tips and resources to music education, online education and education grants. Visit http://EducationForLifeNow.com today and receive a free report ‘Your Guide To Grants and Student Loans’
