In 1994 a study was conducted by psychologist Fran Rauscher and physicist Gordon Shaw at the University of California to test the connection between music and math and science skills. The three test groups were comprised of three year olds. The first group participated in adult-led singing time, the second group, in weekly keyboard lessons, and the third (control group) was not exposed to any type of musical activity. The results were astounding! After eight months, “every child who participated in a music-training program increased his or her spatial intelligence by an average of 46 percent over the control group’s 6 percent increase.” (Baney, Cynthia. Wired for Sound: The Essential Connection Between Music and Development.)
Music education should be an essential part of a child’s growth and development. Numerous studies have repeatedly demonstrated how music education will lead to a higher aptitude in math, science, reading, athletics, creativity and problem solving. But the simple fact is that making music brings children joy, and when you as a parent get involved with your child’s musical pursuits, whether it be through direct interaction in a musical playgroup, or by encouraging your child to learn an instrument, you can share in that joy together. education loans with payday loan
Why is Music Important for Kids?
This question has been debated for as long as time has existed. Even the great Greek and Roman philosophers approached the question: is music something that should be taught and does it help the development of children? Plato answered “I would teach children music, physics, and philosophy; but most importantly music, for in the patterns of music and all arts are the keys to learning.” And again “what then is the education to be? Perhaps we could hardly find a better than that which the experience of the past has already discovered, which consists, I believe, in gymnastic, for the body, and music for the mind.”
In all cultures of the world music plays an important role. While these roles may change depending on the culture it is impossible to separate music from the life of an individual. While some may argue the role of music in our lives it is impossible to escape it. Even in the popular culture of Australia it is impossible to go shopping without hearing music. Music provides a means of communication and expression of culture and individual identity.
Children are immersed in music from birth and will be for their entire life. If this is the case why teach it? Is not the constant immersion in music enough? To this I say; is the fact that we witness the results of scientific principals on a day to day basis result in the understanding of those scientific principles? No it does not and likewise for music it does not either. The day to day encounters we have with music can move us but the understanding of this music can help us grow as individuals.
In many cultures the family plays the main role in music education. Families are most commonly the ones that teach children the music of their culture. As young children, we are commonly sung nursery rhymes. These provide entertainment for the child and often information in small repeated fashion. Children learn through the repetition and structure that the information was delivered in. many nursery rhymes teach fundamental life lesson and therefore sets music up as a means of educating. Children learn from music from a young age and will continue to for the rest of their lives. In a world where globalization and consumerism are dominating cultural identities are drifting into the background and children are more likely to be sung pop songs as lullaby’s than nursery rhymes. The benefit of nursery rhymes and progressive learning has become an issue. Children are missing out on fundamental learning opportunities.
The Mozart effect which gained a large following in the 1990’s claimed that listening to Mozart as a baby will make a child smarter. While this movement was short lived and there is little proof that it works there has been no denying that children who learn music will achieve higher in other aspects of their academic life. In earning music children learn to express their identities, gain confidence and develop sense of time and space. A research team at the university of Munster in Germany discovered that students who study music have more developed abstract reasoning skills which are closely linked to learning in the areas of science and maths.
I do not believe that there is any argument to this question…music is a vital part of a child’s education and should be taken seriously. Listening to music is not enough! A child must learn to think musically and that is what will help assist the development of the child and their academic development.
written by Gemma Lee from www.shinemusic.com.au teachers of piano, saxophone, violin, singing, drums, electric guitar, acoustic guitar, flute and clarinet.
Many people who put their heart into music, put their business into music teaching. There are many fields of music education and if you are proficient in one or more you will surely find work. The first thing that a music teacher has to do is choose what he or she will focus on, be it an instrument, voice coaching, music theory or even music history. Next comes the time to assess your own knowledge on the topic. If you have a degree of Bachelor of Music, Bachelor of Music Education or Master of Music, you are probably comfortable enough teaching at any level. However if your learning did no go that far, you should be teaching at a more basic level. In any case, be sure you are qualified and are honest about your qualifications with your clients.
Consider also who you want to teach. Maybe you would love to help young children take their first steps in music. Or maybe you want to work with older kids or adults on continuing or just starting their education. Be sure you adapt your teachings and, if you need to, talk to pedagogues so you know how to deal with a child. The planning of the classes can be tricky and do not think for a second that only adults can spot if you did not prepare the lesson. A kid will notice and can get bored and even give up if they feel you are not making an effort.
Scheduling can also be difficult. Whatever you do, do not book more than one student for a time slot and try not to extend the lesson pass its designated time. It just screams that you are unprofessional. Remember during which hours kids are in school and are not available. Moreover, keep in mind that a 6 year-old attention span is not the same as a 16 year-old’s so the time which lesson takes depends very much on the student. It also depends on you personally and on your teaching method.
On that topic, there are a lot of different music teaching methods out there. One of the most popular is the Suzuki Method, but others include the Dalcroze Method and the Yamaha Method. Even if you choose not to follow any of these, it is very interesting to learn a bit about each. It will open your eyes and you will see your work under a whole new prism. In the end, you probably will take some directions from these methods, even if subconsciously.
These are the basics you should take into account when setting up as a private music teacher. Others are simple, practical choices like the place you want to teach, the prices you will charge and how to keep your financial books. However, most of it comes from practice and time. You are a music teacher, so you know that everything does.
Parents Play the Most Central, Yet Vulnerable Roles in Childrenâs Music Education
The three basic parties who take part in childrenâs music education are the child, the teacher (or teachers) and the parents.
To best understand how the young musician will regard music lessons, we must ask: âHow should parents plan for the musical education of their children and what they know about it?â
As a rule, there are two main things to consider: the choice and cost of the instrument, auxiliary materials and lessons; and the search for a good teacher. After that, the preparation for the childâs musical training is largely complete. However, buying the instrument and paying for lessons are not the most complex part of music education, although many parents think so and believe that the rest is up to the teacher and the child, who is obliged to frequent music lessons on a regular basis and do the homework. In fact, to parents, it all seems very easy! âDid you do your homework today? Have you practiced that piece enough? Have you learned the fingers in an etude? Come on, play the piece you had to memorize!â
Hereâs the simple truth: The reasons behind oneâs success in music education as well as the loss of interest creep in absolutely imperceptibly, and often during quite a long period of time.
First, then, letâs discuss what happens when a child loses interest.
Again, parents are the most integral and important parts of the equation when it comes to their childrenâs success or loss of interest in musical education. When a child gets bored with his or her lessons, the parents, who by that point are exhausted by battles with the child to practice and often feel financially pinched from the costs of the instrument and the lessons, must then face the difficult decision of whether to terminate the lessons.
While preparing the materials for my book, Voices of our Children, I talked to parents and teachers and asked them what they considered to be the prime reason behind the childâs loss of interest. Can you guess who a whopping 80 percent considered to be at fault? The child! It was he/she who did not want to continue the education!
Whatâs more important is that after terminating the lessons, very few parents asked themselves why their child lost interest. Letâs look the perspective of each participant in this scenario:
The child. He is happy! His âtorturesâ have finally ended. He no longer has to hear unpleasant things about his careless attitude toward music lessons. No one will ever force him to learn music against his will! Now he is free from tiresome lessons and can spend time doing things he likes!
The teacher. Not every teacher, especially not those who often lose students, will search for the real reasons behind a childâs loss of interest in music lessons. It is easier for some teachers to accuse or blame the student than to admit to their own mistakes.
In this case, what does the teacher do? He quickly forgets about former students and places an ad to get new ones â he has to earn a living. Itâs just a job. Â
Parents. Believe it or not, but I think that when the child quits musical training, the parents suffer the most â not only because they have invested in this venture materially, but because along with the termination of music education they must part with their own dreams, hopes, and an opportunity to discover and develop their childâs true talent that might not have been obvious.
Now, when the child quits music lessons, he can quickly redirect his attention to new interests. The teacher, who has lost the student, can compensate for his loss by finding a replacement. But the parents do suffer the most â they cannot âmove onâ â they cannot replace own child with another!
Therefore, to avoid this problem before it hits home, I strongly believe parents should prepare for their childrenâs music education ahead of time. They should know beforehand what awaits them in the future, and should be ready for possible hardships.
www.quintecco.com
Tatiana Bandurina is an inventor, a professional writer and a member of Canadian Authors Association. For more than twenty years she worked in several children’s musical academies and schools as a teacher and a principal. Tatiana is now a chief of Quintecco Educational Products, Inc., the website is www.quintecco.com, a company that develops and markets new media education products to the consumer and business education markets.
Three Powerful Reasons why children benefit from music education as part of their Curriculum, especially at a young age. There has been plenty of research done about the benefits of music education for young children.
1. Playing music improves concentration, memory and self-expression
One two-year study in Switzerland run with 1200 children in more than 50 classes scientifically showed how playing music improved children’s reading and verbal skills through improving concentration, memory and self-expression.(1) Younger children who had three more music classes per week and three fewer main curriculums made rapid developments in speech and learned to read with greater ease.
Other effects revealed by the study showed that children learned to like each other more, enjoyed school more (as did their teachers) and were less stressed during the various tests, indicating they were better able to handle performance pressure.
2. Playing music improves the ability to think
Ongoing research at the University of California-Irvine and the University of Wisconsin-Oshkosh (2) demonstrate that learning and playing music builds or modifies Neural pathways related to spatial reasoning tasks, which are crucial for higher brain functions like complex maths, chess and science.
The first studies showed that listening to a Mozart sonata temporarily improved a child’s spatial abilities. Further studies compared children who had computer lessons, children who had singing lessons, children who learned music using a Keyboard and children who did nothing additional. The children who had had the Music classes scored significantly higher – up to 35% higher – than the children did Who had computer classes or did nothing additional.(3)
3. Learning music helps under-performing students to improve
Researchers at Brown University in the US (4) discovered that children aged 5-7 years who had been lagging behind in their school performance had caught up with their peers in reading and were ahead of them in math’s after seven months of music lessons. The children’s classroom attitudes and behavior ratings had also Significantly improved, and after a year of music classes were rated as better than the children who had had no additional classes.
1. E W Weber, M Spychiger and J-L Patry, Musik macht Schule. Biografie und Ergebnisse eines Schulversuchs mit erweitertemMusikuntericcht. Padagogik in der Blauen Eule, Bd17. 1993.
2. Various studies by Dr. Gordon Shaw (University of California-Irvine) and Dr. Fran Rauscher (University of Wisconsin-Oshkosh), with others.Including those published in Nature 365:611 and Neuroscience Letters 185:44-47
3. E L Wright, W R Dennis & R L Newcomb. Neurological Res.19:2-8. 1997
4. M F Gardiner, A Fox, F Knowles & D Jeffrey. Learning improved by arts training. Nature 381:284. 1996.
Kevin and Janice Tuck jointly own the Fun Music Company, an organization dedicated to providing fun, educational music resources for children and teachers. They also have a free music teachers resource collection at their music teachers blog
